Notes from New York: Makeshift MachinesJenny Wuartreview.com30 September 2024An aerial perspective from above the clouds, at turns sinister and celestial, offers a route into alternative and nonhuman ways of seeing
Notes from New York: Get LostJenny Wuartreview.com28 August 2024Let’s seriously consider the formal disjunctions within the immersive experience
‘Widening the Lens’: A Corrective for Landscape PhotographyJenny WuArtReview07 August 2024What belongs in a landscape, and who in front of a camera? The genre is about more than just the nineteenth-century notion of the sublime
Notes from New York: Back to SchoolJenny Wuartreview.com30 July 2024A series of exhibitions in neglected or humble buildings afford art the space to slack and slouch
Notes from New York: Group Shows, EverywhereJenny Wuartreview.com01 July 2024June offered a surprisingly robust sampling of artworld staples and emerging talent, for those willing to slog through record-breaking heat
Notes from New York: Barthes FairJenny Wuartreview.com12 June 2024As art lovers converged on the city for its high fair season, Jenny Wu found resolve in the quiet among the chaos
Catalina Ouyang’s Torture GardenJenny WuArtReview11 June 2024‘Trick’ at Lyles & King, New York displays natural and industrial specimens as if they were fetish objects
