Caleb Hahne Quintana’s Idiosyncratic NostalgiaJonathan T.D. NeilArtReview07 December 2022By invoking and subverting a sense of late Americana, the artist’s pictures are all ‘of’ something identifiable but elude easy paraphrase
The Time-Travelling Art Criticism of Peter Schjeldahl (1942–2022)Jonathan T.D. Neilartreview.com26 October 2022Like a medium, he channeled the waning days of modernism and the birth of something new
It’s Enough Just To Have No More MAGAJonathan T.D. Neilartreview.com11 November 2020A second Trump presidency would have ended the American experiment, and the exceptionalism in which I am guilty of believing
‘Heritage and Debt’ Review – Contemporary Art and the Geopolitics of GlobalizationJonathan T.D. NeilArtReview08 October 2020In ‘Heritage and Debt’, David Joselit offers a convincing description of the global and historical dynamics that produced ‘contemporary art’ as something distinct from what preceded it
The new culture warJonathan T.D. Neilartreview.com16 August 2019Jonathan T. D. Neil on what’s really at stake in the Whitney Museum controversy
The art gallery: a cut-throat businessJonathan T.D. NeilArtReview23 November 2018Commercial galleries should start taking their cue from the business world, argues Jonathan T.D. Neil
Why now, man?Jonathan T.D. NeilArtReview26 October 2018Jonathan T.D. Neil interrogates why the American artist remains so relevant today – from the October issue
