The Good and the Bad of American Techno-UtopianismJonathan T.D. NeilArtReview24 April 2025The historian and critic Eva Díaz’s new book, ‘After Spaceship Earth’, follows R. Buckminster Fuller and how his legacy has shaped contemporary art
The Interview: MSCHFJonathan T.D. NeilArtReview16 May 2024It takes more than irreverence and a good lawyer to subvert contemporary art. The duo behind MSCHF discuss their methods
Christina Quarles: Existing Beyond CategorisationJonathan T.D. NeilArtReview30 May 2023“I’ve always felt like the figure is a foil in the paintings to talk about humanity, but using the figure just as an entry point”
Caleb Hahne Quintana’s Idiosyncratic NostalgiaJonathan T.D. NeilArtReview07 December 2022By invoking and subverting a sense of late Americana, the artist’s pictures are all ‘of’ something identifiable but elude easy paraphrase
The Time-Travelling Art Criticism of Peter Schjeldahl (1942–2022)Jonathan T.D. Neilartreview.com26 October 2022Like a medium, he channeled the waning days of modernism and the birth of something new
It’s Enough Just To Have No More MAGAJonathan T.D. Neilartreview.com11 November 2020A second Trump presidency would have ended the American experiment, and the exceptionalism in which I am guilty of believing
‘Heritage and Debt’ Review – Contemporary Art and the Geopolitics of GlobalizationJonathan T.D. NeilArtReview08 October 2020In ‘Heritage and Debt’, David Joselit offers a convincing description of the global and historical dynamics that produced ‘contemporary art’ as something distinct from what preceded it
