Return of the YogiMark RappoltArtReview Asia23 May 2022What can the centenary edition of ‘The Indian Tomb’ tell us about our own times?
Work of the Week: Patty Chang, ‘Fountain’ (1999)Mark Rappoltartreview.com06 May 2022How the New York artist’s ever-evolving work speaks to issues of identity, self-love and resonates with a community under increasing threat
59th Venice Biennale Review: Revelation and IllusionMark Rappoltartreview.com27 April 2022There’s a nagging sense that Cecilia Alemani’s exhibition ‘The Milk of Dreams’ might just vanish in a puff of smoke
CIRCA’s Vision for a New Art EcosystemMark RappoltArtReview01 March 2022The founder of the digital art platform that took over Piccadilly Lights and Times Square during the pandemic, talks about creating a different artworld
Feelings of Guilt: Anuk Arudpragasam’s ‘A Passage North’ – ReviewMark RappoltArtReview Asia08 February 2022Arudpragasam’s second novel explores characters who struggle to survive in the wake or on the edges of the trauma of the Sri Lankan Civil War
Noémie Goudal: Adventures in Deep TimeMark RappoltArtReview27 January 2022The artist creates illusions of the natural world: what happens when what is concealed beneath the artifice is eventually revealed?
Bani Abidi Dissects the Performance of Male PowerMark RappoltArtReview17 December 2021The artist’s photographic work ‘The Reassuring Hand Gestures of Big Men, Small Men, All Men’ (2021) chips away at the art of ‘corporeal eloquence’
