Join ArtReview and Ursula on Tuesday 7 October for a conversation with Do Ho Suh and Sook-Kyung Lee
ArtReview and Ursula magazine have teamed up to host a series of talks on the first Tuesday of every month in the Wine Bar underneath the Farm Shop in London’s Mayfair. Staged as a series of intimate conversations and more, set in a relaxed and casual bar, the series will allow audiences a insight into the inspirations, working methods and passions of some of today’s key visionaries from artists and thinkers, to filmmakers, designers, philosophers and architects. The events will span creative thinking and how it evolves to match our times. The series is a celebration of traditional conviviality, to be experienced live by those present rather than remotely, on screen. The talk will take place in the restaurant, where food and drink can be ordered throughout the evening.
Time: 6.15pm welcome drink, 7pm event start
Ticketed event: £14, which includes a welcome drink and copies of ArtReview and Ursula magazine
Previous events:
2 September: Bex Wade and Danielle Brathwaite-Shirley
1 July: Thomas J. Price and Gus Casely-Hayford
3 June: Martino Gamper and Max Lamb
6 May: Es Devlin and George Rouy
1 April: Sonia Boyce and Ekow Eshun
About Do Hu Suh
Do Ho Suh is a South Korean artist who lives and works in London, UK. His practice spans various media, creating drawings, film and sculptural works that confront questions of home, physical space, movement, memory, individuality and collectivity. Suh is best known for his fabric sculptures that reconstruct to scale his former homes in Seoul, South Korea; Rhode Island, USA; Berlin, Germany; London, UK; and New York City, NY. Suh is interested in the malleability of space in both its physical and metaphorical forms, examining how the body relates to, inhabits and interacts with that space.
Suh’s major solo exhibitions include: Tate Modern, London, UK (2025, 2011); National Galleries of Scotland, Edinburgh, UK (2024); Art Sonje Center, Seoul, South Korea (2024); Museum of Contemporary Art Australia, Sydney, Australia (2022); Los Angeles County Museum of Art, Los Angeles CA (2019); Towada Art Center, Towada, Japan (2018); Whitney Museum of American Art, New York NY (2017, 2001); Mori Art Museum, Tokyo, Japan (2015); National Museum of Contemporary Art, Seoul, South Korea (2013); amongst others. His work is in numerous international collections, including the Museum of Modern Art, New York NY; Whitney Museum of American Art, New York NY; Solomon R. Guggenheim Museum, New York NY; Los Angeles County Museum of Art, Los Angeles CA; Tate, London, UK; Leeum Museum of Art, Seoul, South Korea; Art Sonje Center, Seoul, South Korea; Mori Art Museum, Minato, Japan; and 21st Century Museum of Contemporary Art, Kanazawa, Japan.
About Sook-Kyung Lee
Curator Sook-Kyung Lee is the Director of the Whitworth Art Gallery in Manchester, UK, and Professor of Curatorial Practices at the University of Manchester. She was Artistic Director of the 14th Gwangju Biennale (2023), titled ‘soft and weak like water,’ which explored themes of resistance, indigeneity, decoloniality and ecology. Prior to the Whitworth Art Gallery, Lee was Senior Curator (International Art) at Tate Modern in London, UK, working in exhibitions, collection displays and acquisitions. She also headed a major multi-year research initiative ‘Hyundai Tate Research Centre: Transnational’ at Tate Modern, overseeing its strategic vision and associated programming. Lee served as the Commissioner and Curator of the Korea Pavilion at the 56th Venice Biennale in Italy, and curated the Japan Pavilion at the 60th Venice Biennale, represented by the artist Yuko Mohri.
