Natasha Tontey: Of Monkeys and MenAdeline ChiaReviewsartreview.com23 December 2024Tontey’s practice has gained traction in recent years for her madcap explorations of Indigeneity, ecofeminism and posthumanism. ‘Primate Visions’ at MACAN, Jakarta goes bananas
Tao Hui’s Bleak MirrorIlaria Maria SalaReviewsArtReview Asia23 December 2024The artist’s first institutional solo show in Hong Kong navigates the constantly changing Chinese landscape, both physical and social
Zilia Sánchez, Cuban minimalist, 1926-2024ArtReviewNewsartreview.com20 December 2024Her sensuous stretched canvases provided a feminist counterpoint to the male-dominated Minimalist movement
‘The Critics Respond’ (2024) – A Comic Strip by Walter ScottWalter ScottFeaturesArtReview20 December 2024The Wendy comics artist contributes his own wry take on criticism, in which Wendy takes on the art critics
‘Soundtrack to a Coup d’Etat’ Loves Politics and Butchers JazzPhilip ClarkOpinionartreview.com19 December 2024The temptation to selectively build a narrative from the various fragments of footage and sound ultimately patronises the era’s Jazz titans
‘Set My Heart On Fire’ by Izumi Suzuki, ReviewedNirmala DeviBook ReviewsArtReview19 December 2024Suzuki’s first novel to be translated into English is about the people and culture that made up Tokyo’s alternative club and music scenes
Nicholas Galanin wins Don Tyson Prize for the Advancement of American ArtArtReviewNewsartreview.com19 December 2024The Don Tyson Prize, founded in 2016, is awarded biennially to living individuals or institutions in the USA
When Microsoft Flight Simulator Goes WrongLewis GordonOpinionartreview.com19 December 2024The latest iteration of the video game reveals the hubris of a company intent on dominating the digital infrastructure of the future
Artist to design contemporary Notre-Dame stained glass windowsArtReviewNewsartreview.com18 December 2024Tabouret’s proposition won a competition organised by the French Ministry of Culture
On Naomi Beckwith and the Future of DocumentaArtReviewDocumentaartreview.com18 December 2024This is an extract from the ArtReview Newsletter, first published on 18 December 2024
