Tan Zi Hao’s pronounced linguistic distortions around the subject of race relations in Malaysia pose broader questions about the nature of ‘identity’ in a translingual culture
If the museum is a place both of remembering and repression, its relationship to historical facts is always unstable. How can art make space for those who history left behind?
From 1987: Kasper König devised a sculpture project in Münster as a supplementary to Documenta 8 in Kassel (and some would say an infinitely more enjoyable one)
From 2016: ‘Artivism’ is often by its nature temporary and collective, resulting in a form that is difficult to categorise, situate or give a value to. Does this make it more effective – or less?