James Prapaithong: How to Paint EmptinessMax Crosbie-JonesArtReview Asia29 August 2024Inspired by Cézanne and Ozu, the artist’s smallscale works are masterstrokes in economy and ellipsis
Gone Walking (While Kicking a Stone for 900km)Max Crosbie-JonesArtReview Asia22 August 2024How Chinese artist Cheng Xinhao explores his home province’s history, culture and psychogeography through long-distance foot journeys and related ‘performative madness’
Your Problem Is My ProblemMax Crosbie-JonesArtReview Asia23 July 2024‘Living Another Future’ at MAIIAM, Chiang Mai explores how land and people can be betrayed by the narratives told for them
‘The Death of Death’: Inside Korakrit Arunanondchai’s World After the FireMax Crosbie-Jonesartreview.com17 July 2024At Bangkok Kunsthalle the artist addresses a burning planet, stuck in cycles of renewal and decay. Can art help us find order in it all?
Marisa Srijunpleang’s Flower of LoveMax Crosbie-JonesArtReview27 June 2024‘Blooms With The Wind Blows’ at Hub of Photography, Bangkok takes an autoethnographic view of the natural world
‘The Understory’ by Saneh Sangsuk Review: Tall TalesMax Crosbie-JonesArtReview Asia01 May 2024Sangsuk’s latest novel is part parable, part paean to the ‘forest ethics’ and natural world of the author’s youth
Right Where They Have Always BeenMax Crosbie-JonesArtReview Asia04 April 2024Why aren’t the literary scenes of Southeast Asia getting more regional and global traction?
