Artist Gordon Cheung will be in conversation with ArtReview and ArtReview Asia editor-in-chief Mark Rappolt, on the occasion of his exhibition Tears of Paradise at Edel Assanti, London (through 7 March). Their discussion will focus on ideas raised in Cheung’s recent work in which he witnesses and interprets the emergence of China as a twenty first century global superpower, framing current events in the context of the “Century of Humiliation” and the opium wars.
SoundCloud’s recently announced acquisition of NFT music platform Nina Protocol sounds the death knell for the illusion of tech’s utopianism in the arts
Brutalism, according to the author, was a ‘method’ in Korea, where architecture was a response to the necessities of healing and rebuilding after twentieth-century wars