Each month in Art Lovers Movie Club, we select artists’ videos and screen them exclusively online at artreview.com. Explore all the films we have shown below.
2025
Pejvak, Shokouk: A Cosmicomedy in Four Acts, 2023: screened 2–27 January
2024
Jesse Chun, Tongues of Fire, 2023: screened 8–29 January
Julia Weist and Nestor Siré, Infomercial, 2017: 29 January–19 February
Dina Mimi, The melancholy of this useless afternoon: chapter II, 2023: 22 February–14 March
Max Göran, Nothing Runs Like a Deere, 2023: 15 March–11 April
Farzaneh Forouzesh, And her sleeve wet with tears, 2023: 15 April–10 May
Youqine Lefèvre, The Land of Promises, 2017-2020: 15 May–10 June
Andro Eradze, Raised in the dust, 2022: 24 June–29 July
Hiền Hoàng, Made in Rice, 2021: 1 August–6 September
Tamara Henderson, Green in the Grooves, 2021–2023: 12 September–3 October
Jala Wahid, I Love Ancient Baby, 2023: 7 October–4 November
Kamal Aljafari, UNDR, 2024: 12 November–9 December
Onyeka Igwe, The Miracle on George Green, 2022: 10–31 December
2023
Amie Siegel, Genealogies, 2016: screened 1–17 February
Chris Zhongtian Yuan, All Trace is Gone, No Clamour for A Kiss, 2021-22: 20 February–10 March
Zarouhie Abdalian, these are called holdings, 2023: 17 March–7 April
Larissa Sansour/Søren Lind, In Vitro, 2019: 13 April–1 May
John Smith, Citadel, 2020: 3 May–22 May
Alice Bucknell, Swamp City, 2021: 23 May–12 June
Bo Choy, War of Perception, 2020: 19 June–4 July
He Xiangyu, House of Nations, 2021: 13–28 July
Eimear Walshe, The Land Question: Where the fuck am I supposed to have sex?, 2020: 31 July–21 August
Gelare Khoshgozaran, To Keep The Mountain at Bay, 2023: 30 August–20 September
Nadim Choufi, The Sky Oscillates Between Eternity and Its Immediate Consequences, 2021: 20 September–13 October
Steve Bishop, The Caretaker, 2018: 16 October–6 November
Sasha Litvintseva and Beny Wagner, Constant, 2022: 6–27 November
Sara Cwynar, Glass Life, 2021: 27 November–18 December
Ofri Cnaani, Leaking Lands, 2022: 18 December–8 January
2022
Forensic Oceanography, Liquid Traces – The Left-to-die Boat Case, 2014: screened 9 February–2 March
Andrea Luka Zimmerman, Art Class, 2020: 3–17 March
Sooun Kim, Born Beneath, 2021: 18 March–8 April
Farideh Sakhaeifar, Halabja, 1988, 2018: 11 April–2 May
Vivian Caccuri & Gustavo von Ha, Vivian & Gustavo, 2020: 3–17 May
Luka Yuanyuan Yang, Tales of Chinatown: 23 May–13 June
Poulomi Basu & CJ Clarke, Fireflies, 2022: 21 June–12 July
Haig Aivazian, Prometheus, 2019: 13 July–3 August
Petra Szemán, Openings !!!, 2022: 3–24 August
Lawrence Lek, Sinofuturism (1839-2046 AD), 2016 (Updated 2022): 25 August–15 September
Alice Theobald, IL Y AURA (There will be), 2022: 28 September–19 October
Runo Lagomarsino, Europa Point, 2019: 20 October–9 November
Jia Zhangke, Dong, 2006: 10 November–1 December
Tanoa Sasraku, Whop, Cawbaby, 2018: 2–23 December
2021
Shen Xin, Provocation of a Nightingale #1, 2017: screened 15 January–8 February
Charwei Tsai, Hear Her Singing, 2017: 8 February–1 March
Gelare Khoshgozaran, Medina Wasl: Connecting Town, 2018, and Men of My Dreams, 2020: 2–23 March
Lu Yang, Delusional Mandala, 2015, Delusional Crime and Punishment, 2016, and Delusional World, 2020: 24 March–14 April
Xiaowen Zhu, Oriental Silk, 2015: 23 April–14 May
Alia Ali, Mahjar, 2020: 20 May–10 June
Chris Zhongtian Yuan, Wuhan Punk, 2020: 11 June–2 July
Alberta Whittle, HOLDING THE LINE: a refrain in two parts, 2021: 18 June–17 July
Maya Schweizer, Clemens von Wedemeyer, Metropolis. Report from China, 2004-06: 13 July–3 August
Chim↑Pom, Black of Death, 2013: 17 August–7 September
Richard Fung, Dirty Laundry, 1996: 8–30 September
Clarissa Tossin, Ch’u Mayaa, 2017: 1–22 October
Anand Patwardhan, Images you didn’t see, 2006: 22 October–12 November
Shannon Te Ao, What was or could be today (again), 2019: 12 November–3 December
2020
Luis Roque, Heaven, 2017: screened 18–25 March
Wong Ping, An Emo Nose, 2015: 26–31 March
Laure Prouvost, Shed A Light, 2018: 2–9 April
Alex Da Corte, TRUƎ LIFƎ and BAD LAND, 2017: 9–15 April
Stine Deja, 4K ZEN, 2017: 17–23 April
Daniel Steegmann Mangrané, Fog Dog, 2020: 24–30 April
Ivens Machado, Versus, 1974: 11–19 May
Roger Hiorns, BENIGN, 2005: 15–21 May
Jennet Thomas, ANIMAL CONDENSED>>ANIMAL EXPANDED#2, 2018: 5–12 June
Larry Achiampong, The Expulsion, 2019: 12-22 June
Shezad Dawood, Leviathan Cycle, 2017-18: 21 May–26 June
Heman Chong, Changi Airport Terminal 3 (Singapore Circuit Breaker Day 10, 16 April 2020) 4K 60 Binaural Walk 263, 2020: 26 June–3 July
Berwick Street Film Collective, Nightcleaners, 1975: 3–17 July
Tuan Andrew Nguyen, We Were Lost in Our Country, 2019: 17–31 July
Grace Schwindt, Only a Free Individual Can Create a Free Society, 2014: 7–21 August
Hayoun Kwon, 489 Years, 2016: 2–16 October
Tulapop Saenjaroen, People on Sunday, 2019: 16 October–2 November
Grada Kilomba, A World of Illusions, 2017-19: 4–25 November
