Zwirner’s eponymous gallery celebrated its 30th anniversary this year by doing the thing megagalleries like to do best: adding more artists to its roster. Painter Emma McIntyre was the gallery’s youngest artist when she joined back in February, until Sasha Gordon was signed up at the age of twenty-six in September. Both have retained the representation of their original galleries, as have Walter Prize and Raymond Saunders (who also joined the gallery earlier this year): it’s a move that is indicative of Zwirner’s long-held belief that the gallery ecosystem should be more collegiate. Balancing out the age average, seventy-eight-year-old Scott Kahn came onboard too. In May the gallery opened a new three-storey flagship in Los Angeles, its third in the city, highlighting a commitment to bricks and mortar (there are eight further addresses across New York, London, Paris and Hong Kong) over digital sales: in August Zwirner made ten e-commerce employees redundant, and Platform, a Zwirner-financed digital marketplace selling work and merch by emerging artists, launched a new micro art fair in Chelsea.