Beatrice Loayza is a critic based in New York and Paris. She is a regular contributor to the New York Times and the Criterion Collection, and a contributing editor for Film Comment.
Christopher Nolan’s adaptation goes for modern psychology over textual ‘fidelity’, eschewing not just the silliness of toga-clad deities perched in the heavens, says Beatrice Loayza, but the itchiness of dogmatic truths
In intimate interviews with fellow female directors working in the European and US arthouse film industry of the 1970s and ‘80s, a revisionist history of cinema comes to light