The Artworld’s New Stone AgeEloise Hendyartreview.com25 November 2022Why contemporary art is on the rocks
Workplace Dramas: First as Comedy, Then as TragedyEloise Hendyartreview.com05 October 2022From Severance to Industry, the office is no longer imagined as a site of absurdity, but one of tragic flaws, grave errors and violence
How Culture Went Back to the Middle AgesEloise Hendyartreview.com23 June 2022On Ottessa Moshfegh’s ‘Lapvona’ and the medieval turn
‘Top Gun: Maverick’ and the Spectacle of Midlife Crisis MoviesEloise Hendyartreview.com08 June 2022We live in the era of sad men going full throttle
‘Conversations with Friends’: a Mess and All the Better for ItEloise Hendyartreview.com17 May 2022A more complex emotional picture emerges in the new BBC adaptation of Sally Rooney’s debut novel
Sex Work Is Work: Meet the Artists Fighting for DecriminalisationEloise Hendyartreview.com21 February 2022If all the pearl-clutching pundits could leave their prejudices at the door, perhaps they’d realise that the ICA exhibition ‘Decriminalised Futures’ is an urgent and vital call to action
‘Inventing Anna’ and the Art of the Girlboss GriftEloise Hendyartreview.com11 February 2022Shonda Rhimes’s Netflix series about New York’s fake heiress can’t fight its adoration of fake-it-til-you-make-it capitalism
