Earlier this year, Berlin’s Die Balkone 2 invited dozens of Prenzlauer Berg-based artists to place work on their apartment balconies, in windows or on the street below
It’s possible to see much contemporary culture as a kind of last-minute taking stock: tinkering with the aesthetics of the past, shining them up, temporising at best and wheel-spinning at worst in the face of onrushing technological change
If you’d started a year-long nap in March 2020 just after touring the galleries in London, Berlin or New York, the continuity would feel fairly seamless
