What Does Rich-Kid Art Look Like?Martin Herbertartreview.com22 June 2022In an artworld reluctant to discuss class, there seems to be no way in without a master’s degree and a subsidised period of ‘emerging’
12th Berlin Biennale Review – Kader Attia’s Broadside Against Global IniquityMartin Herbertartreview.com14 June 2022The exhibition has cunningly critic-proofed itself
Aperol and ASMR: the Artworld Practises SelfcareMartin Herbertartreview.com11 May 2022In troubling times, galleries serve up soothing variations on the familiar
Tomo Savić-Gecan’s Quiet, Extreme Reconsideration of ArtmakingMartin HerbertArtReview20 April 2022If you’re hoping for a glimpse of the Croatian artist’s work at the 59th Venice Biennale – look anywhere but the Croatian Pavilion
All In It Together? A Guide to Artworld FriendshipsMartin Herbertartreview.com19 April 2022Contemporary art runs on a cocktail of fuels: alcohol, bullshit and bonhomie
Maria Eichhorn: Art Against Commodity FetishismMartin HerbertArtReview13 April 2022What will an artist known for confounding expectations bring to the loaded symbolism of the German Pavilion at the Venice Biennale?