Marisa Srijunpleang’s Flower of LoveMax Crosbie-JonesArtReview27 June 2024‘Blooms With The Wind Blows’ at Hub of Photography, Bangkok takes an autoethnographic view of the natural world
‘The Understory’ by Saneh Sangsuk Review: Tall TalesMax Crosbie-JonesArtReview Asia01 May 2024Sangsuk’s latest novel is part parable, part paean to the ‘forest ethics’ and natural world of the author’s youth
Right Where They Have Always BeenMax Crosbie-JonesArtReview Asia04 April 2024Why aren’t the literary scenes of Southeast Asia getting more regional and global traction?
Thailand Biennale 2023 Review: Syncretic SpiritMax Crosbie-JonesArtReview Asia20 March 2024The third edition, ‘The Open World’ in Chiang Rai, explores how sites of social, spiritual or museological significance are meaningfully disturbed
The Razzle-Dazzle Art of Chalermchai KositpipatMax Crosbie-JonesArtReview Asia30 November 2023In the runup to Thailand Biennale in Chiang Rai, Max Crosbie-Jones pauses to consider the origins of one native son’s staggering cultural power
Nawapol Thamrongrattanarit: The Clutter of LivingMax Crosbie-JonesArtReview Asia20 November 2023How the Thai photographer and filmmaker sets about empowering audiences to tackle the weight of memory
Send Thailand’s Holy Bronze Men HomeMax Crosbie-JonesArtReview Asia30 October 2023An examination of the West’s penchant for hoarding the artefacts of other cultures
