‘Everybody Is Trying To Escape Something’: An Interview with Bangkok Art Biennale’s Director Apinan PoshyanandaMax Crosbie-Jonesartreview.com26 October 2020The exhibition is taking place during a popular uprising as well as a pandemic
The Politics of Bangkok’s Motorcycle TaxisMax Crosbie-JonesArtReview Asia03 September 2020A political history of the city’s striving ‘moto-sai’ – the thousands of rural-to-urban migrants who weave through the Thai capital’s teeming lanes
Conflicted Visions: Thailand Galleries ReopenMax Crosbie-JonesArtReview Asia26 June 2020As the country stirs to life, galleries are staging a mix of shows ranging from the politically engaged and critical to the don’t-worry-be-happy
The Death of Leisure: Tulapop Saenjaroen’s ‘People on Sunday’Max Crosbie-JonesArtReview Asia19 June 2020The Thai artist updates the pioneering 1930 German silent film for our hypercompetitive, productivity-fetishising times
Aichi Triennale 2019: Taming Y/Our PassionMax Crosbie-JonesArtReview Asia20 September 2019The exhibition as political battleground... through 14 October
The Dark Horse BiennialMax Crosbie-JonesArtReview Asia26 November 2018The low-key Bangkok Biennial shows signs of life in an often tired-looking format
Jakkai Siributr DisplacedMax Crosbie-JonesArtReview Asia21 June 2017Sociopolitical commentaries weaves into artwork