Jeffrey Gibson’s Indigenous FuturismChris Fite-WassilakArtReview06 October 2022In joyful, speculative work, the artist unpicks and repatterns mythologies around the depiction of native cultures
The Long Goodbye: ‘Pop Song’ by Larissa Pham, ReviewedChris Fite-WassilakArtReview Asia21 July 2022Capturing the youthful trajectory of desire, orientation, earnestness and experience
The Gut-Wrenching Art of Dafna MaimonChris Fite-WassilakArtReview22 February 2022The artist places us inside the body and asks us to have a good, mucky feel around
Carla Lonzi’s Farewell to CriticismChris Fite-WassilakArtReview18 February 2022A first translation of her 1969 ‘Self-Portrait’ sees the writer and feminist activist dissect the role of the critic
Freelancer’s Delight: Rosa Aiello’s ‘Caryatid Encounters’Chris Fite-WassilakArtReview25 January 2022The artist explores the worlds of freelance and precarious labour, and the effects that they have on workers’ ideas of self and wellbeing
Why London’s Underground Art Scene Is DisappearingChris Fite-WassilakArtReview08 October 2021With the city’s commercial artworld looking increasingly homogenised, its independent spaces increasingly commercialised, can the capital preserve its diversity?
The Uncanny Properties of Print: Michael Snow’s ‘Cover to Cover’Chris Fite-WassilakArtReview22 July 2021Accordioned depictions of sitting, walking, even doing nothing, become extended meditations on how we experience the world
