Notes from New York: Free SampleJenny Wuartreview.com07 July 2025Our critic goes for a cryogenic facial in a Lower East Side gallery
The Orientalist Fantasy of ChinoiserieJenny WuArtReview23 June 2025‘Monstrous Beauty’ at the Met proposes a link between Europeans’ attitudes towards Chinoiserie and their fetishisation of the East Asian female body
Salman Toor’s Night VisionJenny WuArtReview09 June 2025The artist depicts queer men of colour in genre scenes that are at once nostalgic and speculative
Notes from New York: Generic and PerfectJenny Wuartreview.com04 June 2025An exhibition made in the afterimage of Bernadette Corporation adopts ‘sloppiness’ as a brazen curatorial strategy that fails to coalesce
Amy Sherald’s American Sublime – Sacred and ProfaneJenny WuArtReview15 May 2025‘Ecclesia (The Meeting of Inheritance and Horizons)’ (2024) is at once spiritual and secular, a mélange of carefully constructed illusions
Notes from New York: Inside Out, Outside InJenny Wuartreview.com09 May 2025From the rise of ‘red-chip’ artists to exhibitions of underground comics, the values of the traditional artworld are being challenged and reshaped
Desert X 2025 Review: Morale FailureJenny WuArtReview06 May 2025The latest edition in Coachella Valley frames its largescale artistic commissions as social and emotional ‘service stations’
