‘I Don’t Think Anybody Can Write on Behalf of Somebody Else’Max Crosbie-JonesArtReview17 February 2023Araya Rasdjarmrearnsook’s new book plumbs the space between word and image – via postmodernism, macho artists, and Thailand’s ‘Art for Life’
The Zany, Something-For-All Appeal of the Thai Film ArchiveMax Crosbie-JonesArtReview Asia17 January 2023The twisted history of one of Thailand’s most generous and eclectic institutions
Let Orawan Arunrak Be Your GuideMax Crosbie-JonesArtReview15 December 2022The artist’s sojourns and social engagements prompt slow considerations of fast lives, finding selfhood amid movement
‘Ghost:2565’ Review: The Spectre of Something BetterMax Crosbie-Jonesartreview.com09 December 2022‘Live without Dead Time’ looks for revivification and mobilisation against a pervasive, endless, all-encompassing sense of cynicism
Thasnai Sethaseree’s Uncontainable FormsMax Crosbie-JonesArtReview Asia18 October 2022‘Cold War: the mysterious’ at MAIIAM, Chiang Mai attempts to capture the felt plebeian texture of Thai political history
Why Collective Practice in Thailand is Under ThreatMax Crosbie-JonesArtReview Asia11 October 2022And is the real truth that it is as innocuous as it is important?
Veeraporn Nitiprapha’s Supernaturally-Charged ThailandMax Crosbie-JonesArtReview Asia10 August 2022The author’s lyrical second novel, Memories of the Memories of the Black Rose Cat, pits maladjusted characters against a land teeming with ‘natural aberrations’
