Statues, holes, bad karma, art market extremes...
Who’s the fairest of them all?
A lot of failing midlist galleries should take a closer look at themselves, says Jonathan T.D. Neil
Will the Blockchain make art disappear?
J.J. Charlesworth considers the implications of the first cryptocurrency art-trading platform
The Potato-Print Biennial
I. Kurator explains how to make obvious political statements in large international exhibitions
Pulling down statues we don’t like reveals the lowered expectations of progressive politics, argues J.J. Charlesworth
New York holes
Sam Korman reflects on Anish Kapoor’s whirlpool, reflecting pools and other New York orifices
Made by Grandad