A shockingly revisionist script; questionably sourced funding; backing from the US MAGA faction – and all building up to Brazil’s October elections. Euan Marshall tries to take this thing seriously
What’s happening is less the corruption of a sacrosanct form of play than the interactive medium’s return to, and reentanglement with, its military roots
What happens when forms of queer life, once historically sustained through obscurity and ephemerality, become part of a widely circulated visual record?
