Read our feature interview of Joan Jonas, by fellow artist Liam Gillick. A retrospective of her work is on at Tate Modern through 5 August. ShareTweet
Ana María Devis: What the Body Leaves BehindChiara WilkinsonFeaturesArtReviewJune 18, 2026The artist’s beds of rotting matter and jars of decay question how – and what – we value
‘Depraved: The Story of Dangerous Art’ by Daisy Dixon, ReviewedJ.J. CharlesworthBook ReviewsArtReviewJune 17, 2026Depraved, according to J.J. Charlesworth, is a rehash of the ‘woke’ position on which kinds of artworks should be deemed bad
José Roca to curate Ljubljana Biennale of Graphic ArtsArtReviewNewsartreview.comJune 17, 2026The Slovenian exhibition is one of the oldest biennials in the world
Soyoung Yoon appointed director of Whitney’s Independent Study ProgramArtReviewNewsartreview.comJune 17, 2026The nomination comes one year after the suspension of the ISP
‘Spectrosynthesis Seoul’ Defends Reading Art Through BiographyMark RappoltReviewsArtReview AsiaJune 17, 2026The latest in this showcase series turns its focus to the South Korean capital and fills Art Sonje with queer life
Florence Ostende goes to Guggenheim BilbaoArtReviewNewsartreview.comJune 16, 2026Ostende joins from Mudam Luxembourg after a two-year stint
Russian artist gunned down in PolandArtReviewNewsartreview.comJune 16, 2026Semyon Skrepetsky was critical of both Russian and Ukrainian leadership
Raising the Volume on Conceptual Video ArtAlexander LeissleReviewsArtReviewJune 16, 2026How can conceptual video-art affect the world we inhabit and the way we experience every day? An exhibition at SOAS Gallery searches for answers
A Kantian Enquiry of Ju Young KimMark RappoltReviewsArtReview AsiaJune 16, 2026The artist’s deconstructed experience of airline travel tells us something about the way objects hold memory, or the ways in which we like to think they do
Oototol, Indonesia’s Unknown BardQingyuan DengReviewsArtReviewJune 15, 2026The political and erotic charge in these rarely exhibited largescale works feels newly legible
