So That’s Banksy. Anyway…J.J. CharlesworthOpinionartreview.comMarch 18, 2026The celebrity-anonymous artist has finally been unmasked. Good. Now we can stop talking about him
Museum as Dreaming MachineRefik AnadolFeaturesArtReviewMarch 18, 2026A lot of energy goes into adapting spaces that were designed for a fundamentally different relationship between art and audience
Museum as Networked ModalityCharlotte KentFeaturesArtReviewMarch 18, 2026The question isn’t simply whether digital art needs museums, but whether museums might learn from these artists and their hybrid practices
The Unsettling MuseumSharmini PereiraFeaturesArtReviewMarch 18, 2026Who decides what counts as worthy of preservation, to be collected, and moreover who benefits from it?
The Emanent Museumfarid rakunFeaturesArtReviewMarch 18, 2026Museums are just one apparatus trying to capture culture, alongside many more
The Collaborative MuseumDaisy NamFeaturesArtReviewMarch 18, 2026They may seem like the least pressing of our worries today, but we absolutely need museums
The Contradictory MuseumEugenio ViolaFeaturesArtReviewMarch 18, 2026Museums do not operate in abstraction; their relevance is inseparable from the societies they inhabit
Helen Legg appointed artistic director of Royal AcademyArtReviewNewsartreview.comMarch 18, 2026She will join the Royal Academy from Tate Liverpool, where she has been director since 2018
182 Venice Biennale participants sign letter demanding exclusion of Israel from 2026 exhibitionArtReviewNewsartreview.comMarch 17, 2026The letter states that the demand ‘responds to the appeal issued by Palestinian civil society to challenge the normalisation of Israeli apartheid and occupation within international cultural platforms’
Para Site appoints new executive directorArtReviewNewsartreview.comMarch 17, 2026James Taylor-Foster will take on the role from Billy Tang who departed last year
