The Venezuelan artist’s epistolary films, screened at last year’s Lofoten International Art Festival, capture poetic potential in the evolving technologies of communication
Jacqueline Rose’s ‘Women in Dark Times’ was a shot against the Lean In era, reinvigorating a more ‘scandalous’ feminism that had got lost in the corridors of power. A decade later, can Rose’s text still shine the way?
The incendiary films of the late pioneer of African cinema do not merely critique power but discern the social and political forces at work beneath the surface of the everyday
From 2000: The artist had a Tate St Ives residency in 1998/99 when she worked from a temporary studio improvised in the lifeguard’s hut. Here, she recounts her experience
From 2012: Resonating throughout the exhibition is a belief that ideas ask for a physical form and that we always think with the help of the material world
From 1987: Kasper König devised a sculpture project in Münster as a supplementary to Documenta 8 in Kassel (and some would say an infinitely more enjoyable one)
