The Indonesian artist’s latest videos combine quantum physics and mysticism, opening new portals through which to explore capitalist systems of extraction
The fourth Dragon Hill X ArtReview Writers Residency text takes the seeming ubiquity of the colour pink (if in fact it is a colour) in the South of France as the departure point for a discussion of its ever-shifting qualities and interpretations
In ‘Monument Eternal’, the artist falls endlessly towards the ground in a fraught exploration of the American landscape and its history of racial violence
Our editors on the exhibitions they’re looking forward to this month, from a radical archive of LGBTQ+ experience in Brazil to the Bangkok Art Biennale
Why have one review when you can have three? Here, Jenny Wu assesses Art and Science Collide as an Expo for a history of technology and cultural exchange
From 1987: Kasper König devised a sculpture project in Münster as a supplementary to Documenta 8 in Kassel (and some would say an infinitely more enjoyable one)
From 2016: ‘Artivism’ is often by its nature temporary and collective, resulting in a form that is difficult to categorise, situate or give a value to. Does this make it more effective – or less?
